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Batman Cartoon Pictures Definition

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Batman: The Animated Series is an animated series adapted from the DC comic book series featuring the superhero, Batman. Visit the official website.
Featuring Batman, Robin, Batgirl, The Riddler, Poison Ivy, Catwoman, The Joker, Harley Quinn, The Penguin, Mr. Freeze Batman is a fictional character, a comic book superhero appearing in comic books published by DC Comics. Batman was created by artist Bob Kane and writer Bill Finger, and first appeared in Detective Comics #27 (May 1939). Originally referred to as "the Bat-Man" and still referred to at times as "the Batman," the character is additionally known as "the Caped Crusader,"[4] "the Dark Knight,"[4] and "the World's Greatest Detective,"[4] among other titles.
Batman's secret identity is Bruce Wayne, an American billionaire playboy, industrialist, and philanthropist. Having witnessed the murder of his parents as a child, he swore revenge on criminals, an oath tempered with the greater ideal of justice. Wayne trains himself both physically and intellectually and dons a bat-themed costume in order to fight crime.[5] Batman operates in the fictional Gotham City, assisted by various supporting characters including his crime-fighting partner, Robin, his butler Alfred Pennyworth, the police commissioner Jim Gordon, and occasionally the heroine Batgirl. He fights an assortment of villains, often referred to as the "rogues gallery," which includes the Joker, the Penguin, the Riddler, Two-Face, Ra's al Ghul, Scarecrow, Poison Ivy, and Catwoman, among others. Unlike most superheroes, he does not possess any superpowers; he makes use of intellect, detective skills, science and technology, wealth, physical prowess, martial arts skills, an indomitable will, fear, and intimidation in his continuous war on crime.
Batman became a very popular character soon after his introduction and gained his own comic book title, Batman, in 1940. As the decades wore on, differing interpretations of the character emerged. The late 1960s Batman television series used a camp aesthetic which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, with varying results. The comic books of this dark stage culminated in the acclaimed 1986 miniseries The Dark Knight Returns, by Frank Miller, as well as Batman: The Killing Joke by Alan Moore and Arkham Asylum: A Serious House on Serious Earth, among others. The overall success of Warner Bros.' live-action Batman feature films have also helped maintain public interest in the character.[6]
A cultural icon, Batman has been licensed and adapted into a variety of media, from radio to television and film, and appears on a variety of merchandise sold all over the world such as toys and video games. The character has also intrigued psychiatrists with many trying to understand the character's psyche and his true ego in society. In May 2011, Batman placed second on IGN's Top 100 Comic Book Heroes of All Time,[7] after Superman. Empire magazine also listed him second in their 50 Greatest Comic Book Characters of All Time.Whenever i see a debate involving the two (and the never ending Superman vs Batman debate) it always comes to some crazy power of superman's that most of the time obscure or pulled from the butt that lets him beat literally every character or batman gets some prep time that lets him beat jesus with a paper clip or some other crazy way to beat improbable opponents. Isn't anyone else tired of a boring and hella predictable outcome? i mean literally every other hero in marvel and dc have some flaw that makes it easier and more interesting to debate about Yup. Just ban it. There are many more interesting debates than watching Superman and Batman fanboys argue with each other.Cartoon Network's Beware the Batman premiered today, marking the start of the sixth cartoon series starring the Dark Knight. With Green Lantern: The Animated Series and Young Justice gone from the DC Nation roster, viewers may be skeptical of their ...Batman swoops back to the small screen in this new computer animated series, which seems to take quite a few cues from the recent Nolan films. We find a younger, leaner Dark Knight and perhaps even more importantly, a younger, leaner Alfred than we've ...Batman: The Animated Series set the bar really, really high when it comes to adapting Batman for television. So much so that each subsequent animated series has needed to offer unique twists to help emerge from BTAS's shadow. For The Batman, it was an ..Since appearing in Filmation's 1968 The Batman/Superman Hour, the Dark Knight has been a fixture of television cartoons, whether he's headlining his own series (Batman: The Animated Series, The Batman Strikes!, Batman: The Brave & The Bold) or ...The original concept of Batman was developed by writer/artist Bob Kane. Inspired by Sherlock Holmes, Zorro, a Leonardo Da Vinci sketch of a bat-winged flying machine, and his own imagination, Kane sketched an early version of the character.
Taking his idea to writer Bill Finger, they further developed the concept. Finger himself said on more than one occasion that Kane did indeed create a version of the character before Finger got involved with the project. Kane was inspired by the flying machine of Leonardo Da Vinci, a movie he had seen called The Bat and of course, Bela Lugosi's 1931 film Dracula which featured a "man-bat" in its opening credits. However, Finger did suggest a different costume direction for "The Bat-Man."In an interview for Jim Steranko's History of the Comics: Vol. One, Finger described in detail, the extent of his suggestions about the costume. He felt the original character (The Bat-Man) looked too much like Superman with a mask and bat-wings. He recommended replacing the Da Vinci-inspired wings with a cape, giving him gloves, and changing the character's bodysuit from red to grey. Perhaps most importantly, Finger found a book with a picture of a bat in it and encouraged Kane to replace the character's domino mask with a more bat-like hooded cowl, complete with "ears" which would make the character distinguishable even in silhouette. It's generally agreed that Finger encouraged Kane to leave out the character's eyes when he wore the mask. Although Kane would accept many of these suggestions, one cannot escape the direct influence of Lee Falk's character The Phantom, as Kane admitted that he studied newspaper strips on a routine basis.Finger wrote the first Batman script, while Kane provided art. Because Kane had already submitted the proposal for a Batman character to his editors at DC Comics, Kane was the only person given official credit at the time for the creation of Batman. This was not unusual in the comic books of that time, where the artist would often sign his name to the first page of the story and the script would be uncredited, but it was in contrast to other features on which Finger worked where he was identified as scripter, such as Wildcat and Green Lantern, and in contrast to the credits on features by the same publisher such as Superman, where writer Jerry Siegel and artist Joe Shuster both received credit during the time they were affiliated with the publisher, even on stories ghosted for them by other writers and artists.According to Wizard Magazine, Bob Kane had Finger enter a work for hire contract. It is this contract that provided National and DC their strongest defense against later claims by Finger.
Finger was a very meticulous writer and as such, a slow one, leading editor Whitney Ellsworth to "suggest" that Kane replace him with someone else. During Finger's absence, Gardner Fox contributed scripts that introduced Batman's early "Bat-" arsenal (the utility belt, the Bat-Gyro/plane and the Batarang). Upon his return, Finger created or co-created items such as the Batmobile and Batcave, and is credited with providing a name for Gotham City. Among the things that made his stories particularly distinctive was a use of giant-sized props: enlarged pennies, sewing machines, or typewriters.

Kane and Finger brought together such diverse influences as pulp magazines, comic strips, film noir, and the slapstick comedy of teams like the Marx Brothers and the Three Stooges, creating a "Cartoon-Noir" that was widely imitated. Eventually, Finger left Kane's studio to work directly for DC Comics where he still supplied scripts for Batman as well as many other characters.During Batman's early appearances, the character was still somewhat pulp-influenced, either killing his opponents, or, at least, letting them die Batman was a success, and soon after, National suggested that character receive a youthful sidekick who the readers could use as an audience surrogate. Kane initially suggested an impish character like Puck, while Finger suggested a more down-to-earth character. The name Robin was suggested by Jerry Robinson who had arrived at the studio while Kane and Finger were kicking names around. Finger went on to write many of the early Batman stories, including making major contributions to the character of The Joker, as well as other major Batman villains.The notion of a superhero with a sidekick became ubiquitous, with Sandman & Sandy the Golden Boy, Black Terror and Tim, Captain America & Bucky, etc. ad nauseam.